°ÇÃà°¡ ARCHITECTS

 

"....Naturally he does not creat ex nihilo, and if one chooses, one can therefore say that he does not creat at all. Only God creats in the absolute, actual sense of the world. But the architect makes new forms. He changes the reality that is given into another, and does so in the literal sense. From a pile of earth he makes a house, from land a dwelling. He gives form to the settlement, that most elementary act of man upon earth. With awe-struck reverence, he recognizes in the lines and circles of his blueprint simultaneously the outlines of God's plan. He creates only in the literal sense, but his building partakes of true creation....."

Van der Leeuw, The Sacred and Profane Beauty; The Holy in Art, 1955

"....¹°·Ð °ÇÃà°¡´Â Ùí¿¡¼­ âÁ¶ÇÏ´Â °ÍÀº ¾Æ´Ï´Ù. ¹«¾ð°¡¸¦ ¼±ÅÃÇÏ°í ÀÖ´Ù¸é. Áø½Ç·Î âÁ¶ÇÏ°í ÀÖ´Ù°í ¸»ÇÒ ¼ö ¾øÀ» °ÍÀÌ´Ù. ¿À·ÎÁö ½Å¸¸ÀÌ ¸»ÀÇ ÂüµÈ ÀǹÌÀÇ Àý´ë ¼Ó¿¡¼­ âÁ¶ÇÑ´Ù. ±×·¯³ª °ÇÃà°¡´Â »õ·Î¿î ÇüŸ¦ ¸¸µé¾î³½´Ù. ±×´Â ÁÖ¾îÁø Á¸À縦 ´Ù¸¥ °ÍÀ¸·Î º¯Çü½ÃŲ´Ù. ÀÌ·¸°Ô ÇÏ¿© ±×´Â ¹®ÀÚ ±×´ë·Î ¸¸µé¾î³»´Â °ÍÀÌ´Ù. ±×´Â Èëµ¢ÀÌ·Î ÁýÀ» ¸¸µé°í, ´ëÁö·ÎºÎÅÍ ¸¶À»À» ¸¸µç´Ù. °ÇÃà°¡´Â °øµ¿Ã¼¿¡ ÇüŸ¦ ÁÖ´Â °ÍÀÌ´Ù. ±×°ÍÀº Áö»ó¿¡¼­ °¡Àå ±âº»ÀûÀÎ Àΰ£ÀÇ ÇàÀ§ÀÌ´Ù. ±×´Â èæÌ׿¡ °¡µæ Â÷ ÀÚ½ÅÀÌ ±×¸° µµ¸é À§ÀÇ Á÷¼±À̳ª ¿ø ¾È¿¡¼­, ½ÅÀÇ °èȹÀÇ À±°û°ú ÀÏÄ¡ÇÏ´Â °ÍÀ» ã¾Æ³½´Ù. °ÇÃà°¡´Â ¹®ÀÚ ±×´ë·Î ¸¸µé¾î³»´Â ÀÚ¿¡ Áö³ªÁö ¾ÊÁö¸¸, ±×ÀÇ °Ç¹°Àº ÂüµÈ âÁ¶¿¡ Âü°¡ÇÑ´Ù...."

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°ÇÃà¹Ú¹°°ü ARCHITECTURE MUSEUM

GALLERY MA HISTORY  ÀϺ»ÀÇ ±× À¯¸íÇÑ °ÇÃà¹Ú¹°°ü....±¹³»¿¡µµ ÀüÅë°ÇÃà¹Ú¹°°üÀÌ Çϳª »ý°å´Ù´øµ¥...

COLLECTIONS : The Art Institute of Chicago ½ÃÄ«°í¿¡¼­ Å͸¦ ´ÛÀº °ÇÃà°¡µéÀÎ µíÇÏ´Ù.

 

 

°ÇÃà°¡ ¸µÅ© ARCHITECTS LINKS

ARCHITECTS LINK 1  

ARCHITECTS LINK 2

SKYSCRAPER ARCHITECTS

Louis Sullivan / Raymond Hood / Ludwig Mies van der Rohe / Myron Goldsmith / Cesar Pelli / Sir Norman Foster / Jean Nouvel / Murphy /Jahn / Skidmore,Owings&Merrill

KISHO KUROKAWA

»ó´çÈ÷ ½Å°æ½á¼­ ¸¸µç »çÀÌÆ®·Î ÀÌ·¸°Ô ÀÚ»óÇÑ °ÇÃà°¡¸¸ ÀÖ´Ù¸é ¾îÀÌ °ÇÃàÀÌ ¹ßÀüÇÏÁö ¾ÊÀ» ¼ö Àְڴ°¡??

TADAO ANDO : ¾Èµµ ÀÌ¿Ü¿¡µµ ¸¹Àº °ÅÀå °ÇÃà°¡µéÀÇ ÀÛÇ°, ÇÁ·ÎÇÊ, ÃâÆǹ°À» ²Ï ÀÚ¼¼È÷ ¾Ë ¼ö ÀÖÀ½....³¡³»ÁÜ !!

³ëÃâÄÜÅ©¸®Æ®ÀÇ ½ÃÀÎÀÌ¸ç ¹Ì´Ï¸Ö¸®Áò °ÇÃà°¡·Î ¾Ë·ÁÁ® ÀÖÀ¸¸ç º»ÀÎÀÌ ÇкνÃÀý ±èÇöö ±³¼ö´ÔÀÇ °³ÀΰúÁ¦·Î ±×ÀÇ °Ç¹°ÀÎ Time 1, 2ÀÇ ¸ðµ¨À» 1:200ÀÇ ½ºÄÉÀÏ·Î ¸¸µé¾ú´Âµ¥, Á¶¼Ò°ú·Î °¡¶ó´Â ¼Ò¸®¸¦ µé¾ú´Ù. ±× ÈÄ ¿©·¯ ¸íÀÇ ÈĹèµéÀÌ ºô·Á°¡°ï Çß¾ú´Âµ¥ ¾î´À ³¯ ±âÃʱîÁö ¾ø¾îÁø ÈÄ À̳» ¼Ò½ÄÀÌ ¾ø´Ù.....º»ÀÎÀÇ °ÇÃàÀü ÀÛÇ°ÀÇ ¸ðµ¨µµ °°Àº ¿î¸í¿¡ óÇØ º»ÀÎÀÇ ¸¶À½À» ¸Å¿ì ¾ÈŸ±õ°Ô ÇÑ´Ù.....Ȥ½Ã ÀúÀÇ ¸ðµ¨À» °¡Á®°¡½Å ºÐÀÌ ÀÌ ±ÛÀ» º¸½Ã¸é µ¹·ÁÁÖ¼¼¿ä.....Áö±ÝÀÌ¶óµµ ´ÊÁö ¾Ê¾Ò½À´Ï´Ù.....¸ðµ¨µ¹·ÁÁÖ°í ±¤¸íãÀÚ.

LECTURE AT CROWN HALL

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ELLIPSIS

avant-garde architects/AA School/Tokyo Çö´ë°ÇÃà/Ken Yeang's Bioskyscraper

 

DIGITAL IMAGING PROJECT ARCHITECTURE LINKS ACCORDING TO LOCATION

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Art historical images of European and North American architecture and sculpture from classical Greek to Post-Modern ( Provided by Mary Ann Sullivan, Bluffton Gollege)